“Theo Wanne has done it again! I feel he has brought a new dimension in saxophone mouthpieces to us that will not only stand the test of time but will be a benchmark for saxophone mouthpieces for many, many years to come! Tell the tenor players, the bar has been raised.”
“I wanted to tell you that the AMMA is great (though I expected nothing less honestly!) Congratulations!
“Thanks, Theo! You keep making choosing a saxophone mouthpiece difficult for me! I´ve been playing and thoroughly enjoying the AMMA…
Now the KALI, another superb player, is also coming with me on future concerts! ”
Musician on our True Large Chamber Saxophone Mouthpieces
“The KALI 7* has stolen my heart. Its Projection is so perfect…”
“The PARVATI let’s me articulate just the way I want. And when I lean into altissimo it’s a monster.”
“I have now an AMMA and a PARVATI 7*. They are better than all the mouthpieces I have had in my life.”
“The Parvati is absolutely the mouthpiece for me!”
“The wooden AMMA is so amazing. I’m finding so many great sounds. It’s a pretty astounding piece of work!”
“What fantastic craftsmanship! I´ve always wanted everything in a mouthpiece.”
“The PARVATI is fantastic. It is the best MPC I have ever played!”
“I have great regard for you and Theo for this fantastic masterpiece”
“Waouhhhhhhhhhhhhh! What an incredible piece! I am crazy for my PARVATI! I really, really love it.”
“The KALI is wonderful. It is bright, but not stupid bright, and not harsh at all. Love it!”
“The AMMA surpasses any other mouthpiece I’ve ever played – on every level. It’s like magic.”
“My ’search’ for the mouthpiece that does everything is over…the master has created a masterpiece!”
“The AMMA is far and away the best tenor mouthpiece I’ve ever played…and I’ve played them all.”
“I don’t believe the sound I hear. I’m another saxophonist now.”
“It’s far better than any other tenor mouthpiece I’ve ever played!”
“I’m so happy with my AMMA I’m going to sell all my other mouthpieces.”
“I gotta say this is EXACTLY what I have been searching for. This is the pinnacle of my search for the best tenor mouthpiece.”
“It’s simply the best metal mouthpiece I have ever played!”
“My tenor mouthpiece search is definitely over”
“I have played links and short shank Dukoff’s for a long time and the AMMA has surpassed all of my expectations.”
“It really blows my mind how well it plays.”
“Tell everyone that the mouthpiece just gets better & better & better & better & better!”
“Thanks so much for ending my search for a great mouthpiece!”
“Thanks Theo, my search is finally over!”
“Gentlemen, let my actions speak louder than words. Can I order another?”
“You really delivered everything you say on the website.”
“The AMMA is really a killing mouthpiece; it will soon become the saxophonist’s secret weapon!”
“The mouthpiece is remarkable. It allows me the freedom to blow any sound I can conjure-up in my mind. It is magical, and a joy to play.”
“Theo, you’re a genius!”
“I don’t use my 20 year old Otto Link anymore since I started playing the AMMA.”
“Several of the sound engineers have pointed out what I already know – my tenor sounds better than ever.”
“You really have achieved the vibe, sound and feel of the older pieces with something extra.”
“I agree 100% with the gratulations of the other users on your website. “
” It’s the most “in tune” piece I’ve ever played and I’ve played many. “
More and Full Testimonials Below:
“The Kali 7* has stolen my heart. Its Projection is so perfect that sound projects more from the bell-bow of the sax than from the bow in the neck. This gives a direct sound with a full rich tone and well specified center. It has just a huge sound! We had to wait for more than 100 years, but finally there is a mouthpiece that matches perfectly with a saxophone….!!
Andre de Laat, Belgium (KALI Gold 7*)
“The PARVATI sound is excellent, even when miked. The PARVATI let’s me articulate just the way I want. And when I lean into altissimo it’s a monster.
Bruce Couillard, USA (PARVATI Gold 
“The PARVATI is fantastic. It is the best MPC I have ever played! I play it on an old Buescher Big B. It has perfect intonation and dynamics from the low end to the very high. I have great regard for you and Theo for this fantastic masterpiece.”
Reinhold Kilian, Germany (PARVATI Vintified 7*)
“What fantastic craftsmanship! I´ve always wanted everything in a mouthpiece. Focus, dynamic control, versatility of color/timbre etc. I finally feel I have the platform I need to move on.”
Gaute Solaas , Norway (KALI)
“The wooden AMMA is so amazing. I’m finding so many great sounds. The piece just has so much depth to it. I had it in the studio and was blown away by how clear everything sounded. I think the best thing I can say about the piece is that it’s enabling me to execute passages with a new level of clarity. Thanks again for the wonderful mouthpiece. It’s a pretty astounding piece of work.”
Anthony Cekay, USA (Wood AMMA)
“I have now an AMMA and a PARVATI 7*. They are better than all the mouthpieces I have had in my life. I now feel all my breathing air is used exclusively for the sound. I have never had a bigger, purer sound, and I know them all: Link, Gregory, Meyer, Vandoren, Bay…… even LeBayle. I am happy that now I can use the opening 7* to get a really full sound. I always had to use a bigger opening until now! The ligature is really great too. I have tried out different pressure-plates and found my solution. I only can say a giant ‘Thank-You’ to Theo Wanne.”
Jochen Arp, Germany (PARVATI and AMMA 7* Gold)
“The Parvati is absolutely the mouthpiece for me! I get so many different sounds from it, like a painter who suddenly has more colors to use. The way it looks is off the charts; It’ beautiful!”
Thomas First, USA (Vintified AMMA 7*)
“I played my tenor last week, the tenor and felt like I needed to quit playing because I didn’t have Theo’s mouthpiece. I didn’t realize how horrible my (previous) main hard rubber mouthpiece was…I don’t know how much longer I can stand it! Tell him THANKS SO MUCH !!!!! GOD BLESS!!”
Leon Hammond, USA (AMMA Gold 6*)
“Waouhhhhhhhhhhhhh! What an incredible piece! I love my AMMA 9,I love my AMMA 10, but I am crazy for my PARVATI! I really, really love it. It is so incredible! Thank you so much!”
Olivier Rattier, France (AMMA 9, AMMA Vintified 10, and PARVATI Vintified 10)
“Theo and Tom deliver everything they say. The KALI is wonderful. It is bright, but not stupid bright, and not harsh at all. Love it! And Wow, that AMMA Vintified finish is truly Rude”
Mark Kieme, USA (KALI Gold 10 and AMMA Vintified 10)
“I just wanted to let you know how great your mouthpiece plays. I’m using it mostly in live high energy type gigs. It’s the most “in tune” piece I’ve ever played and I’ve played many. The altissimo sings and it cuts through but doesn’t sound harsh or irritating if that makes any sense. The KALI 8 is great and I’m now putting in an order for an AMMA and looking forward to playing it.”
Maurizio Rossetto, Canada (KALI Gold 8 and AMMA Gold
“My initial thoughts focused on the exquisite LOOKS of [the AMMA] – let’s face it, it DOES matter how these things look and this is a piece of supreme beauty. I love the ligature design…it gives a freedom of vibration that I’ve never experienced before.
Now onto the playing…I gotta say this is EXACTLY what I have been searching for. A big-bore MP with some top end edge when pushed, but I find the bottom end especially pleasing. I’ve usually struggled with low B, but not here…no gurgle, just a lovely rich tone. The harmonics pop out with just a little embouchure change and the mid-range is lovely. I’m playing it on my Selmer Series III and it is a match made in heaven. Does a tenor MP get any better than this? It might not work for everyone, but for me this is the top of the class, the pinnacle of my search for the best tenor mouthpiece.”
Martin Entwhistle, United Kingdom (AMMA Gold 7* w/ Vintified Lig)
“The KALI is very wonderful! Very powerful, sharp, fat sound and centered tone. The response is also good!”
Fumihiro Shimomoto, Japan (KALI Gold 7*)
“You have made my life as a saxophone player better with the AMMA 9 tenor mouthpiece, It’s just great in every sense. It surpasses any other mouthpiece i’ve ever played – on every level. It’s almost like magic the way it responds exactly as I could wish for, on every dynamic level. It does exactly what a mouthpiece should – boost confidence.
The flexibility makes it my mouthpiece of choice regardless of the musical situation. I play a Keilwerth sx90r shadow tenor, and i believe i can say that for the first time I’m one hundred percent happy with this instrument. Its overall big sound and spot-on intonation have always been the Keilwerth’s strongest points for me, but now i am also able to manipulate the sound in all the directions i want to, making it go where i want to go.
I’ve had the AMMA for a week now, and it’s been to the theatre – singin’ in the rain – five times; to a jazz quartet gig; to a loud horn section gig and to two differents studios. It’s been a busy week for sure. and hey, several of the sound engineers have pointed out what I already know – the tenor sounds better than ever. So the KALI can only be a bonus now… big smile.”
Borge-Are Halvorsen, Norway (AMMA Silver 9)
“The Amma is a fabulous mouthpiece! The rich, penetrating sound is so beautiful. It really is an amazing piece! I just love it!”
Matt Lilley , USA (AMMA Gold 7*)
“My new AMMA 7* is a monster mouthpiece, especially with my Super 20 Silver Sonic. Man what a sound. It whispers like a cornfield and makes the roof tiles on my home tremble like a leaf. And also the color of the sound changes when blowing from real soft to the maximum. Again I am amazed – wonderfull work from Theo.”
Cok van der Blom , Netherlands (AMMA Gold 7*)
“The Amma is just what I expected. It is very congenial to my Buescher. I am very, very satisfied! I intend to play this mouthpiece every day from now on. I look forward to your next item. Thank you very much!“
Shinya Watabe, Japan (AMMA Gold 5* with Vintified Ligature)
“My AMMA gold 9 and is absolutely amazing. I’m going to sell all my other mouthpieces. I’m so happy that I want to buy another one. I can never thank you enough Theo. I play my AMMA everyday (and sometimes at night). I don’t believe the sound I hear, I’m another saxophonist now.”
Olivier Rattier, France (AMMA Gold 9)
“The AMMA mouthpiece plays very easily from PPP to FFF with the vintage sound of old links. This is amazing! The show in Yokomaha, Japan went well. Your AMMA got very good response from visitors.”
Minoru Kubota, Japan (AMMA Gold and Silver 7* and
“Thanks for the AMMA mouthpiece and Vintified Ligature, which arrived here safely in London. I’ve been playing them for the last couple of weeks and am really enjoying them – the mouthpiece seems to have a very dark lush tone and feels very expressive. I have a 1956 Mark VI and it seems to complement that darker sounding type of sax. It seems to release the music in the horn. I’ve used the AMMA for some big band gigs and the response from other musicians has been very encouraging. So thanks for the work you’ve put into the mouthpiece.”
Barry Smith, England (AMMA Gold 7* with Vintified Ligature)
“The AMMA works for me. SUPER GREAT! I do not use my 20 year old Otto Link anymore since I started playing the AMMA. I agree 100% with the gratulations of the other users on your website. My instrument is easier to play – and the sound is really expanding especially in the sub tones – no, everywhere – including the flagpole (altissimo) tones.”
Chancy Gartner, Germany (AMMA 8 Gold)
“I just received the AMMA 7* yesterday and I’ve played the piece a lot. I have no words to describe it. It’s amazing!! It’s simply the best metal mouthpiece I have ever played! The sound is so rich and the response faster than light. Now I understand why it took so long to make a mouthpiece like that. Theo, you have suffered a lot but knowing you make people so happy with your mouthpieces should help a lot too! Thank you very, very much. I want to buy another Amma…”
Alberto Stefanello, Italy (AMMA Gold 7*)
“I’ve played more alto than tenor (even though I’ve always preferred the sound of tenor) because I was never happy with the sound I got on previous tenor saxophone mouthpieces. And I’ve tried many, too many in fact. That has all changed with the AMMA. It’s far better than any other tenor mouthpiece I’ve ever played! The sound is lush and full, and it’s a joy to play. I’ve always had trouble warbling on the low notes on my tenor and those notes are effortless to hit with the AMMA. My tenor mouthpiece search is definitely over. Also, it is a piece of art! The AMMA is gorgeous! Thanks, Theo!”
Frank Ballatore, USA (AMMA Gold 7*)
“You have done it! I have played links and short shank Dukoff’s for a long time and the AMMA has surpassed all of my expectations. You really have achieved the vibe, sound and feel of the older pieces with something extra that I can’t quite put my finger on yet. The intonation is dead on and it’s so much easier to play than my older pieces. I look forward to playing the AMMA for years to come. I play in the Broadway show Spamalot and have been playing the piece in the pit for the last two nights. It really blows my mind how well it plays. Thanks very much. The wait was so worth it!”
Alden Banta, USA (AMMA Gold 7*)
“The new AMMA plays GREAT!!!!!!!!! The AMMA is flexible in the different tones it has to offer and is very responsive. It has a very FAT low end!!! Tell everyone that the mouthpiece just gets better & better & better & better & better!”
Phil Patton, USA (AMMA Gold 7*)
“I spent this morning trying out the new AMMA mouthpiece. Long story short, I dug it! I think that you’ve achieved your goals with it, it plays as good as a great link but without all that modern bright stuff that some makers end up putting in. Congratulations on coming up with an excellent product; definitely a great job.”
Tom Glusac, USA (AMMA Gold 7*)
“Theo, the AMMA sounds great! It’s a keeper! It has that big sound I like and a quick response through-out the full range of the Horn. Thanks so much for ending my search for a great mouthpiece!”
Michael Frontino, USA (AMMA Silver 7*)
“The AMMA plays beautifully. It is far and away the best mouthpiece that I have ever played on the tenor sax, and I’ve pretty much played them all. Congratulations to you for producing such an awesome mouthpiece. For years I’ve been looking for a mouthpiece that has the tonal color and balance of an Otto Link but with the power of a high baffle mouthpiece. It was always a trade off – the Link had a beautiful tone and bottom end but lacked the power to project in louder situations, and whilst high baffle m/pieces had a lot of power, it was always at the expense of tone color, the bottom end and sub-toning capabilities.
The Amma does it all – the proverbial “Link on steroids” – in fact, in mouthpiece technology, it could be thought of as the missing link (pun intended). The tone, scale and feel are even from top to bottom, the sound fat and rich yet with enough edge to cut through when desired, and with tons of power when required. Also the tone remains constant from pianissimo to fortissimo. Thanks Theo, my search is finally over!”
Ralph Franke, Australia (AMMA Gold 6*)
“The quality, detail, and finish are simply exquisite. My congratulations to Tom and Theo on an excellent mouthpiece. The AMMA gives me maximum flexibility with maximum control. It’s like the mouthpiece is boss over the horn, not the horn limiting the mouthpiece. It has a wide power curve for extreme embouchure tricks and altissimo, yet is very controllable and consistent…so far it’s my favorite piece.”
Bruce Couillard, USA (AMMA Gold 7*)
“I just received my AMMA 7* Tenor Gold. It is a work of art! My old Florida Link disappeared a couple of years ago, and I have not found another MP that is as comfortable until now. I also hear more complex harmonics, and have a much easier low end. It is great to have an integrated lig that actually performs better than the FL Ultimate that I tried as a comparison. Kudos Theo!”
Owen Dall (AMMA Gold 7*)
“My ’search’ for the mouthpiece which does everything I want is over because of Theo… the master has created a masterpiece with the AMMA!! I get a lot of compliments for the sound I am producing with the AMMA!”
Cok van der Blom, Netherlands (AMMA Gold 6*)
“Gentlemen, let my actions speak louder than words. Can I order another? You really delivered everything you say on the website. I love your mouthpiece, and the way you do business!”
Mark Kieme, USA (AMMA Silver
“I just wanted to let you know I received my Amma’s and couldn’t put my horn down. I’m looking forward to playing them more and I will turn as many of my friends onto them as possible.”
Rob Cutts, USA (AMMA Gold 8 & 9)
“I LOVE this mouthpiece!!!! It’s one of the best ones (if not THE best) I’ve ever played. I’ll probably buy another as a back up in the future. Thanks so much for making such a killer mouthpiece!!!!”
Chris West, USA (AMMA Gold
“The 7*AMMA is even and rich through all registers with good core. The response is so fast, like a flash. The most impressive thing is the lower register, I have to work hard on the low register when playing my Florida Links, but on the AMMA 7* all the bottom notes are effortless, and the AMMA has less resistance so I can use a harder reed. I really like the feeling when I play it. The AMMA is really a killing mouthpiece; it will soon become the saxophonist’s secret weapon. Good work Theo!”
Hank “The Biddy” Pan, Taiwan (AMMA Gold 7*)
“The mouthpiece you made for me, truly, is remarkable. It allows me the freedom to blow any sound I can conjure-up in my mind. It is magical, and a joy to play. All love surrounds you. Thanks Theo!”
Ed Zlotnick, USA (AMMA Gold 7*)
“Y’know my original intent was to pick one from among these three mouthpieces. After I’ve tried them, and tried them again with different reeds, and in different acoustic surroundings, I like them all! These are really terrific mouthpieces, and the musicians I work and play with all really enjoy the sound I’m getting when I play the AMMA tenor pieces. I’ve received many positive comments!! I played Otto links for many, many years and these AMMA’s are kinda like Links on steroids! I can’t pick between them. This was not my intent but, I’m gonna go for it!
Maybe someday I’ll decide that one of them is not getting used so much. At that point, I’m sure that I can find a home for it. (Believe me, I’ve already had offers.) I know I’ll probably use the 6* for small group acoustic, really quiet gigs like my guitar sax duos. And the 7* and 8 will see more use in the large ensemble settings: big band and commercial type gigs. FYI: I own and play an old Mark VI tenor (78K), Yanagisawa 9937 tenor, and a naked lady Conn 10M. The mouthpieces work great on all!! The sound is especially HUGE on the Yani and Conn, but it’s also huge on the MK VI. So, I’m very happy with all three pieces! Thanks Tom, and Thanks Theo, you’re a genius!
Colin Wenhardt (AMMA 6*, 7* & Website: www.colinwenhardt.com
After several months of intensive investigation, including dozens of taped interviews with Cobain’s closest friends and family members, I reached the conclusion that Courtney Love and Michael Dewitt, (the male nanny who lived at the Cobain residence), were involved in a conspiracy that resulted in the murder of Kurt Cobain.
Kurt was in the process of leaving Seattle and his wife Courtney, when he was found dead.Courtney knew Kurt wanted out of the marriage. Just weeks prior to his death, she asked one of her attorneys to get the “meanest, most vicious divorce lawyer” she could find.
One of Kurt’s credit cards was missing when his body was discovered.Someone was attempting to use the missing credit card after Cobain died, but the attempts stopped when his body was discovered.
The shotgun found at the scene was purchased BEFORE Cobain left for rehab in Los Angeles, NOT AFTER he fled the rehab as reported by misinformed media sources.The shotgun was fully loaded with three shells. It was purchased and loaded for protection, not suicide.
The note found at the scene by the police was immediately labeled as a “suicide note.” The police report states it was “apparently written by Cobain to his wife and daughter, explaining why he had killed himself.”But this note was not addressed to Kurt’s wife and daughter and it says nothing about “killing himself!” This note was clearly written to Cobain’s fans telling them he was quitting the music business. There was only a short footnote to Courtney and Frances and the handwriting contained in those lines has been questioned by several handwriting experts.
Courtney was in possession of a second note after Kurt’s body was found! SHE DIDN’T TELL ANYONE about this second note until several months later when information about it slipped out during an interview with Rolling Stone Magazine.The second note, the one that Courtney kept in secret, clearly defines the first note which was found at the scene of Cobain’s death. The “second note” from Kurt plainly states he was leaving Courtney and he was leaving Seattle. He was NOT leaving the planet!
Cobain’s heroin, (morphine), blood level was 1.52 mgs per liter. This would require a minimum injection of 225 mgs of heroin, three times a lethal dose, even for a hardcore heroin addict! The drug Diazepam, was also found in Cobain’s blood system.
